Wired magazine june 2015

The term “Chilewood” refers to an emerging camp in its eponymous country where genre films are being made by a myriad of talents and attracting high-profile names like Eli Roth and Keanu Reeves. And the etymology of the catchy name originates with its creator Nicolás López, who dropped out of high school at 15 to produce a show for MTV Latin America and never looked back. “When I was 10 years old I used to direct short films with my friends and we called that Chilewood,” says López. “Now I’m 32 and I’m still playing with my friends, but this time, the movies are longer.”


Chilewood’s Mission Statement

Every burgeoning movement, filmic or otherwise, needs a raison d’etre. For Chilewood, that purpose is simple: “We want to make genre movies that we want to see for the entire world,” says Eli Roth, an instrumental player in the movement’s growth. Since joining the Chilewood camp in 2012 with Aftershock, Roth and co. have been largely successful in crafting those genre pictures for the masses. They’ve done so by constructing, from the ground up, their own methodology. “We can take bits and pieces of the best from all the different systems,” says Roth, “and really shoot however we want.” For Roth, this means moving away from the studio system, where he believes “things get overdeveloped to death and are very star-dependent.” In Chile, they prefer to “go on instinct and not second guess ourselves,” says Roth. “We take chances and cast new faces.”